Classics Explained An Introduction to Beethoven Symphony No 6 Pastoral Album Free Download

Title: Classics Explained An Introduction to Beethoven Symphony No 6 Pastoral
Artist: Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos
Genre: Classical
Total Track: 125
Release Date: July 5, 2002
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Classics Explained An Introduction to Beethoven Symphony No 6 Pastoral is one of the gorgeous album of Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos . Album's primary genre is Classical , it was released on July 5, 2002 and contains 125 tracks of duration 39 minutes and 28 seconds with a soft, smooth, and pleasant sound.. .

To preview any song, mouse over the Play Video button and click Play. Click to More Info button to download mp3. .

Track List:

1

On Beethoven s Openings by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

2

Opening Phrase of the Pastoral Mood Symbolism and Musical Function by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

3

Musical Acorns The Outline of Melody The Shape of a Question by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

4

The Question in the Pastoral Repeated by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

5

And Answered by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

6

The Opening Phrase Ends on a Note Full of Pregnant Expectation by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

7

Starting With a Stop by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

8

The Rhythmic Profile of the Opening Phrase A Two Part Construction by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

9

Phrase One Part One by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

10

Phrase One Part Two by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

11

The Properties of Rhythmic Ambiguity The Question of Phrase One Answered by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

12

Phrase Two From Meander to March by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

13

The Makings of a Conversation Contrast and Variation by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

14

Repetition as a Major Factor but It s Never Mere Repetition Each Time Something New Is Added by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

15

From Soft to Loud and Back Again Instrumental Enrichment from Horns and Double Basses by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

16

Mega Repetition Violins Play Exactly the Same Little Fragment Ten Times in a Row by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

17

But No Two Repetitions Are Quite the Same Variaties of Contrast by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

18

More Variation Pitch Rises Violins Joined First by the Clarinet Then by the Oboe by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

19

Return to Opening Idea but with New Instrumentation and Articulation by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

20

Clarinets Horns Bassoons and Flutes Now Join Expansive Variation by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

21

New Insistent Rhythm Derived from the First Four Notes of the Piece by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

22

With the Dawn Chorus a Whole Forest Is Waking Up Feelings of Rapture by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

23

First Violins Play a Derivative of the Opening Figure Joined by Winds and Strings by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

24

Sudden Change of Key from the Home Key Tonic to the Dominant by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

25

Arrival at the Highly Contrasting Second Main Theme by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

26

Unusual Properties of Second Main Theme by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

27

Rhythmic Clash Between Simultaneous Groups of Three Beats and Groups of Two by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

28

Winds Fall Silent as the Violins and Violas Interrupt with a New Theme by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

29

Winds Answer with the Same Morse Like Rhythm but at Half the Speed by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

30

Crescendo Leads To Strings Acceleration of the Pace with No Increase in Tempo by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

31

Beginning of Coda Directly Based on Morse Like Rhythm of the Main Theme by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

32

Strings Reiterate Small Fragment of the New Theme 13 Times in a Row by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

33

A Simple Rising Violin Phrase Leads to a Repeat of the Exposition by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

34

The Nature and Function of the Development Section in Sonata Form Harmonic Rhythm Explained by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

35

The Nature of Harmonic Rhythm Illustrated by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

36

A Typically Beethovenian Exercise in the Frustration of Expectation by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

37

Repetitiousness and Magic Effected Largely through Instrumental Colour by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

38

Then Come Four Almost Identical Bars by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

39

Even Greater Magic with Sudden Switch of Key and Tone Colour by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

40

Entire Development Section up to This Point by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

41

The Development Continued by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

42

Increased Unease and Suspense as Harmonic Rhythm Accelerates by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

43

Arrival at the Point of Recapitualtion Back to the Beginning as a Reminder by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

44

Beginning of Recapitulation by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

45

More Beethovenian Frustrations of Expectations Which He Himself Has Just Set Up by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

46

Harmonic Rhythm Speeds Up Giving the Impression of an Accent on Every Beat by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

47

Prevailing Mood Restored New Theme from Clarinets and Bassoons by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

48

Violins and Violas Take Up Theme Horns Cellos Double Basses Accompany by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

49

A Hush Falls Followed by a Return of the Movement s Most Familiar Tag in Strings by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

50

Clarinet Takes Up the Running Triplet Figures of the Main Closing Theme by Jeremy Siepmann Nicolaus Esterhazy Sinfonia Bela Drahos

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